journalist, trainer, Re-Check.ch
I am an investigative journalist that specializes at health and medicine, cybersecurity and human rights. I realized dozens of TV documentaries for the Swiss public broadcaster and in 2015 along with fellow Catherine Riva founded www.re-check.ch, a nonprofit organization to investigate and map health affairs and issues. Re-Check’ work is at the crossroads between Evidence-Based Medicine (EBM) and investigative journalism (training, research, publications). I am a member of the International Consortium of Investigative Journalists (ICIJ), an advisor to Journalismfund.eu and irpi.eu, and the chairwoman of investigativ.ch, the Swiss organization for investigative journalism. I am based in Bern. www.serenatinari.com - www.re-check.ch TWITTER: @serenatinari - @RecheckHealth
Serena is speaking at
From infectious disease epidemics to the pharmaceutical industry, from the quality of health care to fraud and fake drugs, covering medicine and health is a rich but challenging topic for investigative journalists. One needs a knowledge of science with an enterprising approach to sources and data.
GIJC19's Health & Medicine track includes two panels packed with award-winning reporters, a deep-dive session on the pharmaceutical industry, and a networking session to meet, brainstorm, and collaborate.
You have been digging deeper and are ready to make out of your story a great documentary. But unless you are an employee with a broadcaster, you will be lacking funds to complete the investigation and won’t have the money to jump into production.
There are many grants opportunities out there: how to pick the right one, and how to put together a successful application? And let’s say you made it, got some grants and the honors that come along. Film production is so costly, that no grant whatsoever can achieve a full TV budget. Therefore production companies, pre-buy and co-production deals are daily business in this field.
In this session, three experienced investigative documentary editors will share their knowledge on this complex industry, helping us unlock the jargon and giving a frank advice on how to break the code.
Selling your investigation is hard work. It gets even worse, if your aim is making a good film out of it. Commissioning editors must to be sure that your story is solid, of course, but will also ask you many inconvenient questions around narrative arc, characters that will push the story forward, and production.
Pitching a documentary idea is a complex act that shall convey the drive for getting it done, a stubborn attitude, and a bunch of soft skills including a flair for performance, without forgetting all possible hands-on issues around journalism, filming and editing. You normally have just minutes to convince an editor that your idea is worth a documentary. How do you get there without losing your mind?
Three experienced professionals in the field will tell in this session which mistakes to avoid, and which buttons you want to push when pitching.
French translation for this session is provided by CFI, the French media development organization.
Deadline to apply is over.
For the first time, GIJN opens up a space for a one-on-one session with a TV editor to get advice on your investigative documentary project.
This is a coaching and mentoring session to help you figure out the best strategies to make a great film out of your investigation.
How does it work?
Conference attendees can apply for a 15 minutes slot.
Projects are matched with an experienced investigative documentaries editor.
GIJN will select the projects and get back to you with a meeting schedule.
We have limited capacities and cannot guarantee all projects will be matched.
We guarantee to keep material you send us strictly confidential and only to share it with the selection committee and the assigned mentor.
This is not a pitching, nor a commissioning session. Editors are there for you as pro bono mentors, to help you make your ideas become a good investigative documentary.
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